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Curriculum vitae of Panayotis Ioannou

Name: Panayotis
Surname: Ioannou
Title: Associate Professor
Department: History & Archaeology

E-mail: ioannou@uoc.gr 
Tel.: 28310 77361 Fax: 28310 77338   

Brief Biography

Education

BA in History and Archaeology, University of Athens
MA in History of Western Art, University of Athens
PhD, University of Crete, Thesis on the work of the painter Belisario Corenzio (1558-1646)

Career

1993-1997: Member of the editing board of the "Dictionary of Greek Artists(16-20 cent.), vol. 1-4,

Athens, Melissa Publishers, 1997-2000

1997-2004: Research in various Italian archives, mainly Venice, Naples, Rome

1999-2000: Researcher at Hellenic Institute of Venice

Since 2005: Lecturer of Art History in the University of Crete

Since 2011: Assistant Professor of Art History in the University of Crete

Since 2018: Associate Professor of Art History in the University of Crete

Since 2007: Researcher at the Institute of Mediterranean Studies / Foundation for Research and Technology

Projects:

Research interests

Italian Art (15th-17th cent.) - History of Art History - El Greco

 

  • Fοunding member οf the Greek Art Histοrians Assοciatiοn (Athens)
  • Member of AICA-Association Internationale des Critiques d’Art
  • Member of the Società Napoletana di Storia Patria (Naples)
  • Member of the Editorial Board of the Journal Istoria tis technis (https://istoriatechnisinfo.wordpress.com/).
  • Member of the Committee «2014 Year of Domenicos Theotocopoulos»
  • Member of the Committee of “ХIXth Century Romanticism. The Life and Art of Dimitar Dobrovich (1816-1905)”

 

Publications (selection)

Books

•    2011: The Life and the Work of Belisario Corenzio, Irakleio – Venice, Hellenic Institute of Byzantine and Postbyzantine Studies – Institute for Mediterranean Studies – Crete University Press (in Greek) (http://www.cup.gr/BELISARIO-CORENZIO_p-279846.aspx?LangId=1, https://www.academia.edu/15186099)  

•    2016: Leonardo da Vinci / Leon Battista Alberti / Andrea Pozzo, On Painting. The First Translations of Art Treatises in Greek by Panayotis Doxaras (18th century), edited and introduced by Panayotis K. Ioannou, Irakleio, Crete University Press / Institute for Mediterranean Studies, (http://www.cup.gr/ON-PAINTING_p-280076.aspx?LangId=2)

Articles

•  1997-2000: various entries in Dictionary of Greek Artists (16-20 cent.), vol. 1-4, Athens
•  2000: “From the Serenissima Repubblica to the Cattolicissimo Re: the Adventures of Pietro Lanza” (in greek), Thesaurismata, Venice, vol. 30, pp. 277-299
•  2001: “Dopo la sua varia fortuna. Aggiunte e proposte sul primo periodo del pittore Belisario Corenzio”, Ricerche sul ’600 napoletano, Naples, Electa, pp. 36-51 (https://www.academia.edu/15071221/)
•  2002: “Documenti inediti sulle arti a Napoli tra Cinque e Seicento”, Ricerche sul ’600 napoletano, Naples, Electa, pp. 32-43 (https://www.academia.edu/15071411/)
•  2002: “Palma il Giovane e Giovanni Bilivert nella collezione dell’Istituto Ellenico di Venezia”,Thesaurismata, Venice, vol. 32, pp. 153-165 (https://www.academia.edu/20445293/)
•  2003: “Documenti inediti sulle arti a Napoli tra Cinque e Seicento (seconda parte)”, Ricerche sul ’600 napoletano, (Naples), Electa, pp. 135-146 (https://www.academia.edu/15081512/)
•  2003: “Spyridon Lambros as Art Historian” (in greek), in The History of Art in Greece, proceedings of congress, Iraklion, University of Crete, pp. 117-159
•  2005: «Georgios Klontzas or Natale Bonifacio? On the Illustration of Marc. Gr. VII 22” (in greek) Thesaurismata, Venice, vol. 35, pp. 213-242 (https://www.academia.edu/15082318/)
•  2007: “En torno al taller del Greco en Roma”, in El Greco y su taller, exhibition catalogue (Athens, Museum of Cycladic Art, 2007-2008), ed. Nicos Hadjinicolaou, Athens 2007, pp. 69-95 (https://www.academia.edu/15028222/)
•  2007-2008: “Considerazioni introduttive sui ‘pittori pratici’ della prima Controriforma”, Annales d’esthétique, vol. 44 (2007-2008), σελ. 67-76 (www.academia.edu/14732926)  
•  2008: “On the prehistory of preparation of the first edition of the Treatise on Painting of Leonardo da Vinci, 1651” (in greek), in Προσεγγίσεις της καλλιτεχνικής δημιουργίας από την Αναγέννηση έως τις μέρες μας, Proceedings of congress, edited by Nikos Daskalothanassis, Athens School of Fine Arts, 2008, pp. 297-319
•  2009: “The Critical Reception of the Ionian Painting: Sergio Bettini” (in greek), VIIIth International Panionian Conference  (2006), Cerigo 2009, vol. IV, I, pp. 298-313 (https://www.academia.edu/14733249/)
•  2009: “Arte Veneta nelle Isole Ionie. Documenti e congetture”, in I Greci durante la venetocrazia: uomini, spazio, idee (XIII-XVIII sec.), Atti del convegno internazionale di studi, Venezia, 3-7 dicembre 2007, a cura di Chryssa Maltezou / Angeliki Tzavara / Despina Vlassi, Venezia, Istituto Ellenico di Studi Bizantini e Postbizantini, σελ. 765-771
•  2009: “Documenti inediti sulle arti a Napoli tra Cinque e Seicento (terza parte)”, Ricerche sul ’600 napoletano, Naples, Electa, pp. 79-86 (https://www.academia.edu/15153366/)
•  2009: The Origins of El Greco, Icon Painting in Venetian Crete, exhibition catalogue (New York, Onassis Cultural Center, 17.11.2009-17.2.2010), edited by  Anastasia Drandaki, entries: «Saint Luke the Evangelist Paints the Virgin». «The Dormition of the Virgin», «The Adoration of the Magi», «The Baptism of Christ», «The Adoration of the Shepherds», σελ. 106-115 (https://www.academia.edu/15283046/)
•  2011: «The ‘valente greco’ and the ‘greculo’. On the Critical Reception of Belisario Corenzio’s Work» (in Greek), in Νέοι ερευνητές – ιστορικοί της τέχνης Νέοι ερευνητές – ιστορικοί της τέχνης, πρακτικά ημερίδας, Εταιρεία Σπουδών Νεοελληνικού Πολιτισμού και Γενικής Παιδείας, Athens, pp. 185-204
•  2011: «“Per ispasso e per piacere”: la Vita di Francesco di Giorgio dal Vasari», Reconstructing Francesco di Giorgio Architect, edited by Berthold Hub and Angeliki Pollali, Franfurt, Peter Lang, 2011, pp. 13-32 (https://www.academia.edu/15082835)
•  2011: «Studenti greci alle Accademie di Belle Arti d’Italia (XIX secolo)», in L’Adriatico: incontri e separazioni (XVIII – XIX secolo). Atti del Convegno Internazionale di Studi (Corfù, 29-30 aprile 2010), a cura di Francesco Bruni e Chryssa Maltezou, Venice – Athens, pp. 297-321 (www.academia.edu/15031371)
•  2013: «Cardinal Federico Borromeo and the “Maniera Greca”», in Γαληνοτάτη. Τιμή στη Χρύσα Μαλτέζου, επιμέλεια Γ. Κ. Βαρζελιώτη - Κ. Γ . Τσικνάκης, Athens, pp. 277-290 (https://www.academia.edu/15031194/)
•  2013: The Battle of Lepanto in the Work of L'Aliense, Belisario Corenzio and El Greco (in greek), in L'eco della Battaglia di Lepanto nel mondo europeo. Atti dell'incontro scientifico, a cura di Kostas Tsiknakis, Atene - Venezia, pp. 187-210  (https://www.academia.edu/14844583/)
•  2013: “Three Letters of Spyridon Lambros to Adolfo Venturi”, Istoria tis technis, 1, pp. 166-170
•  2014: «Con la solita curiosità di questi tali”. Artisti e copisti nei servizi segreti spagnoli tra Roma e Madrid», in I rapporti tra Roma e Madrid nei secoli XVI e XVII:arte diplomazia e politica, Convegno internazionale, Roma 7-9 luglio 2011 (Real Academia de España en Roma), edited by Alessandra Anselmi, Rome, Gangemi, pp. 393-406 (https://www.academia.edu/15152805/)
•  2014: «“Greek-Italian”, “Venetian”, “Modern-Greek”, “Post-Byzantine” …: Definitions of the Visual Culture in the Ionian Islands», in IX International Panionian Conference (2010). Proceedings, edited by Aliki D. Nikiphorou, Paxoi, II, pp. 175-192 (www.academia.edu/15031465)
•  2014: «The Maecenas Alessandro Farnese and the Question of His Patronage of El Greco”, in D. Theotocopoulos Between Venice and Rome, edited by Nicos Hadjinicolaou, Athens, Museum Benaki, pp. 83-135 (https://www.academia.edu/15282705/)
•  2014: «A Letter by Raphael to Pope Leo X», Istoria tis technis, 2, pp. 128-142
•  2014-2015: «Lysandros Kaftantzoglou and the Accademia di San Luca in Rome. Appendix: Gerassimos Pitzamanos, Leonidas Drossis», Istoria tis technis, 3, pp. 122-134
•  2015: «Disegno, immagine e astrazione nel Mediterraneo orientale nel dialogo tra le arti», in Dibujo y Ornamento. Trazas  y dibujos de artes decorativas entre Portugal, España, Italia, Malta y Grecia. Estudios en honor de Fuensanta García de la Torre..., ed. Sabina de Cavi (Córdoba, Diputación Provincial de Córdoba-Roma, De Luca Editori d’Arte), pp. 491-500 (https://www.academia.edu/15152269/)
•  2015: «Los ‘estigmas’ del Greco en Roma. A propósito de una obra perdida del Greco», Archivo Español de Arte, LXXXVIII, 352, pp. 409-417 (https://www.academia.edu/20893528/) (http://archivoespañoldearte.revistas.csic.es/index.php/aea/issue/view/82)

Translations:       

  • Francis Haskell, The Painful Birth of the Art Book, London, Thames & Hudson, 1987, Irakleio, Crete University Press, 2013 (http://www.cup.gr/_p-279965.aspx?LangId=1)
  • Antonio Pinelli, La Bella Maniera. Artisti del Cinquecento tra regola e licenza, Turin, Einaudi, 1993, 2006, Athens, Nefeli Publications, forthcoming